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2010 Asteria Photoshoots

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Back in 2010, when I was still starting out, I began experimenting with a concept I called “Asteria”

(In Greek mythology, “Asteria” was the goddess of stars, astrology and dreams.)

“Asteria” was basically me using a tutu that my sister Lilith and I had placed 5 packs of LED lights through, so it would glow in the night.

To achieve these shoots, the plan was usually the same. I would wake up around 3:30 in the morning, drive into San Francisco and meet up with a dancer. We would then shoot from 5-7 AM. (Usually in the extreme cold) There were a few shoots where we shot after sunset, but those were rare.

The dancers were absolute troopers to shoot so early, and in such cold conditions. Reflecting on it now, it was a really pure experience. At that moment in history, influencers weren’t a thing yet. So everyone who collaborated with me, they did so purely because it was fun, new and exciting.

Something I kept an extra eye on for this series was the tone of the shots. I had only recently stopped dancing myself, so my state of mind was much deeper in the industry/much more self conscious of my work. Social media was still brand new then, so no dancers were really posting any content there yet.

Every photo I posted was put under the microscope of the ballet industry. Lots of eyes were watching, and I had to be very careful not to create/post anything that could be viewed as “corny, cheesy, tacky, lowbrow,” etc.. (Today, there is an endless variety of ballet centric photos and videos out there. There really is no more scrutiny of what is and isn’t “acceptable”, but back then, 14 years ago, it would have been a faux pas to post something that wasn’t considered “high brow”)

There was also a technical challenge in creating these shots because the cameras I used back then (I believe I was using a Canon 50D when shooting these) didn’t have the night capabilities that modern cameras do today. Capturing any quick movement was especially difficult since the camera was already hitting its technical ceiling. I enjoyed the challenge though, and learned a lot about photography from these night shoots.

I am very proud of these images, and the execution of the concept.

Till next time,

-Oliver Endahl

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Art Pieces July 2025

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This summer one of my creative outlets has been making digital art pieces using a photo I’ve taken as an inspiration, or as a base for the piece.

My process for creating a piece is usually a few hours of trial and error. (Testing out a color, shape, line, placement of an object, placement of where the dancer is, etc… Trying something and then deleting what I tried and continually experimenting again and again.)

I find it simultaneously exciting and also very therapeutic. My mind gets into a flow state and the joy of trying something and being happy with the result is very satisfying.

Here’s a few of the pieces I’ve created so far;

Jenna Skipworth - @JennaCarara

Ariana Emnace - @oh_nana143

Ahna Greener - @Ahna.Greener

Bradley Denniston - @BradleyHD

Cassidy Kurowski & Kate Huntington - @FizzBam3 & @K8Huntington

Kayla Incontro - @KayinContro

@CanyonBob

I’ll definitely be creating more pieces. Keep an eye out for them in the future.

-Oliver Endahl

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Elseana Skowronski - Early 2025

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Elseana Skowronski and I got together for a photoshoot in the San Francisco bay area earlier this year.

We began our shoot in SF just outside the Exploratorium near the Embarcadero. When we arrived, there was a small bridge that started spraying mist everywhere. We weren’t sure how long the mist was going to last, so we had El jump in and snapped a few photos of her on the misty bridge.

Turns out, the bride mist is an art project from Fujiko Nakaya. I snapped a photo of the information on the project;

After we shot at the fog bridge, we decided to head south outside of the city towards the Pacifica/Montara area. The weather was surprisingly warm for the bay area, and the scenery was absolutely beautiful.

Then we headed towards “The Devils Bunker” which offered massive views and a cool large structure.

Then we drove back into the city and finished our shoot at Bernal Heights.

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Adeline Wylie - May 2025

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A photographer friend of mine, Pat Berrett, and I got together with dancer Adeline Wylie for an outdoor photoshoot in the early morning.

Pat knew of some cool locations in the area and introduced Adeline and myself to this amazing white rock structure, as well as a lovely trail that had a large view of a valley.

Below are my favorite shots from the shoot, as well as a short interview with Adeline.

What’re 2 favorite ballets of yours? (And why are they your favorites?)

As far as classical ballet goes, I love Romeo and Juliet. Juliet has always been one of my dream roles, and the music is so so great. John Neumeier’s A Midsummer Night’s Dream is also super fun and whimsical. My favorite stuff to dance and watch is new mixed rep stuff. My mom would take me to see the Houston Ballet mixed repertory shows with cutting edge contemporary ballet, which really sparked my motivation to become a professional dancer.

What’s your favorite soda flavor?

Root beer and cream soda. Specifically root beer made by breweries or craft soda companies.

What is the role of art in society?

Art is a form of expression and entertainment, but it can also persuade change, foster connection, communication, and education.

I love the way art can produce feelings and different perspectives even if the audience speaks a different language or comes from a different culture.

Also love this quote lately about art: "Art should comfort the disturbed and disturb the comfortable."

Have you ever boogie boarded backwards?

lol No

What are some of your hobbies/passions outside of dance?

Connecting with nature and people, eating good food, reading fantasy, rock climbing, and making art.

How has your relationship with dance changed through the years?

My love for dance hasn’t changed, but my time focused on it has. Dance used to take up so much of my mental space and energy. It’s still a huge part of my life, but no longer my main measurement of success. Being a dance school director has also opened my eyes to how students should be treated with more encouragement and support. You don’t have to beat someone down to achieve successful.

If you had to eat cold pizza, what would your topping preference be?

Black olives, fresh basil, bell peppers, and ranch.

If you could give your younger self advice, what would it be?

Instead of comparing yourself to dancers around you, absorb and learn from them. I was so hard on myself.

If you could replace any one of the three flavors in Neapolitan ice cream, what would the new flavor be?

Let’s swap the normal chocolate for Ben and Jerries brownie core.

Where do you see the art of ballet going?

It’s hard to say, but I can think of where I would like it to go. Hopefully more diverse in terms of everything. I think we can diversify and expand while still preserving classics.

You can follow Adeline on Instagram at @Addy.Wylie

Till next time,

-Oliver Endahl