Ballet Zaida Zine

Reverie Dance Company: Jenna Skipworth Interview

Reverie Dance Company is lead by visionary artistic director Jenna Skipworth, and is based in Denver, Colorado.

They recently had their inaugural performance and are currently in the process of putting their second show together.

I shot with the artistic director, Jenna, as well as the dancers in her company twice in the past few months. Below is photos from our two photoshoots, an and interview with Jenna.

Introduce yourself

Hi! I’m Jenna Skipworth. I am a Colorado native and current Denver resident. I have been a freelance professional dancer for over 10 years. I have a degree in music from Berklee college of music, a comprehensive Pilates certification, and am a certified Franklin Method instructor. I love to perform, create, and teach!! Most recently, I am the Artistic Director and founder of Reverie Dance Company.

What drives you to do reverie? What motivates you?

Reverie has been an idea for many years in my head. After personally experiencing and watching friends experience the depth of toxicity In the dance world, I knew I wanted to do something to change it. Even on a small scale.

I’m so motivated to create a positive and dancer-first space. A place where choreography is designed around the dancers and their strengths, where no one dances for free, individuality is celebrated, and dancers are deeply respected. A place that needs to exist!

What are some ways you feel you’ve changed as a dancer/artist?

Over my career, I’ve become more conscious of the people around me. Everyone has a story and they interact and are shaped by their own stories in their own ways. Any freelance job I’ve been lucky to get has introduced me to the most interesting people. When you hear more stories, you can’t help but become more empathetic.

I’ve also become more aware of how I can change the dance world, and encourage friends around me to do the same. Things like talking about pay rates, encouraging each other to speak up in bad situations, to walk away when you know you deserve better, and things like that.

What are 3 facts about you?

  • I’m married to the most amazing human, Sam, and he has lovingly supported me through my dance career and Reverie!

  • I obsessed with pop culture things from 1950s-90s. Movies, music, clothing. I listen almost exclusively to classic jazz, wear vintage clothing and jewelry.

  • I find family heritage and history fascinating. My mom was adopted and through DNA testing, we’ve discovered new family members and uncovered more family history. For instance, I’m very Sicilian and my great grandfather carved a church door in Catina, Sicily that is still standing to this day!

What’s your favorite way to drink coffee?

Espresso martini please!! But honestly, I’ll take and enjoy coffee in any form. I love trying local coffee shops, buying locally roasted beans, and finding special coffees all over Denver.

For at home coffee, I decided a long time ago that I wanted to make pour over coffee every morning. I have stayed committed to it ever since.

What is the role of art in society?

Art has many important roles. It can range from simply being a creative outlet, a way to massage the brain and take a break from normal life, or to try to find a new way to see the world. It can also be something that carries a ton of weight. It reflects culture and current events, it can break you, heal you, and change you.

As dancers, we feel the impact of art intensely and tend to blend how someone perceives us with our own love of art. This can create deep wounds that are hard to heal. I hope to treat all my dancers with a tenderness that helps them fall in love with their own abilities and the way they can create art as individuals, despite how someone sees/treats them.

What movies have you enjoyed lately?

Sam and I have been really into watching old movies from the 60s and 70s. Anything from classic James Bond, to old movie musicals (my absolute favorites), and obscure ones with titles that are too long and are completely unhinged.

What are some of your hobbies/passions outside of dance?

  • I could sew for 24 hours without stopping. I’m super amateur and self-taught but severely obsessed!! Sam calls it my “sewing black hole”

  • Thrifting!! Could thrift all day every day. It feels like treasure hunting.

  • I love hosting and planning parties! Bachelorette, birthday, garden parties… you name it, and I will go crazy.

What’s something people might be surprised to know about you?

Although I am born and raised in Colorado, I can’t ski or snowboard. In fact, I tried once and broke my wrist. If I hit the slopes, they hit me back.

What do you want audiences to take away from a reverie performance?

I want them to see each person on stage as a unique individual. I want them to feel our positive and genuine connection to one another. To witness our collective love for dance and to fall in love with dance themselves.

You can follow Reverie on Instagram here,

Here is the Reverie website

And you can follow the artistic director Jenna Skipworth on IG here

Till next time,

-Oliver Endahl

Sofia in the Bay Area 2025

Sofia and I got together for a shoot in San Francisco, California. We photographed at SF City Hall, and then various parts of Golden Gate Park. (We also got extremely lucky and happened across some cherry blossom trees right as they were in bloom)

We had a blast creating and really lucked out this entire shoot with the lighting and environments.

You can follow Sofia on social media here.

Till next time,

-Oliver

2010 Asteria Photoshoots

Back in 2010, when I was still starting out, I began experimenting with a concept I called “Asteria”

(In Greek mythology, “Asteria” was the goddess of stars, astrology and dreams.)

“Asteria” was basically me using a tutu that my sister Lilith and I had placed 5 packs of LED lights through, so it would glow in the night.

To achieve these shoots, the plan was usually the same. I would wake up around 3:30 in the morning, drive into San Francisco and meet up with a dancer. We would then shoot from 5-7 AM. (Usually in the extreme cold) There were a few shoots where we shot after sunset, but those were rare.

The dancers were absolute troopers to shoot so early, and in such cold conditions. Reflecting on it now, it was a really pure experience. At that moment in history, influencers weren’t a thing yet. So everyone who collaborated with me, they did so purely because it was fun, new and exciting.

Something I kept an extra eye on for this series was the tone of the shots. I had only recently stopped dancing myself, so my state of mind was much deeper in the industry/much more self conscious of my work. Social media was still brand new then, so no dancers were really posting any content there yet.

Every photo I posted was put under the microscope of the ballet industry. Lots of eyes were watching, and I had to be very careful not to create/post anything that could be viewed as “corny, cheesy, tacky, lowbrow,” etc.. (Today, there is an endless variety of ballet centric photos and videos out there. There really is no more scrutiny of what is and isn’t “acceptable”, but back then, 14 years ago, it would have been a faux pas to post something that wasn’t considered “high brow”)

There was also a technical challenge in creating these shots because the cameras I used back then (I believe I was using a Canon 50D when shooting these) didn’t have the night capabilities that modern cameras do today. Capturing any quick movement was especially difficult since the camera was already hitting its technical ceiling. I enjoyed the challenge though, and learned a lot about photography from these night shoots.

I am very proud of these images, and the execution of the concept.

Till next time,

-Oliver Endahl

2009 Lands End Sutro Bath Ruins Photoshoot

Today we’re going back in time to 2009 to my second photoshoot ever.

Kristina Lind and Myles Thatcher at the Lands End Trail in 2009

Since this was my second shoot ever, I borrowed a Canon 50D camera with a 50mm lens, enlisted my friends who I trained with at the San Francisco Ballet School, and we shot outdoors at the Sutro bath ruins and lands end trail in San Francisco, California.

The canon 50D by the way had 15 megapixels. To put that in perspective, the latest iPhone here in 2025 has 48 megapixels. (Of course, photography isn’t all about the megapixels, but it’s still wild.)

My friends in this shoot are Kristina Lind, Myles Thatcher, Dylan W and Nicole Voris. During this timeframe, we had all recently finished (or were close to finishing) our training at the San Francisco Ballet School. We were all hungry for life and at the start of our professional careers.

This shoot hugely propelled my confidence forward in photography. At the time I was guessing I could create images that entailed high level ballet technique, but on top of that, I also wanted to convey a sense of movement, a sense of whimsy, and a sense of emotion. (All the things I think ballet itself is.)

I’m still a big fan of these images. I can see where my photographic flaws were, but overall, I look at these images with joy. We had a lot of fun creating them and the reception they received at the time was so strong, I recall it hugely motivated me and gave me the confidence that I could actually achieve the photographic goals I wanted to.

What’s also fun when looking at photos from the past is to see where the dance careers of everyone ended up. Kristina Lind danced with the San Francisco Ballet, then Dutch National Ballet and then Bayerisches Staatsballett. (And she is currently a principal dancer there)

Myles Thatcher joined San Francisco Ballet the year of this photoshoot as an apprentice, and he is now a soloist there and a respected choreographer in the dance industry.

Nicole Voris (Who is also my wife as you all know!) Toured with San Francisco Ballet, then danced with Cincinnati Ballet, Ballet Austin, and then danced commercially in Los Angeles. She now does repertoire dance work with our friends who are choreographers, and she also choreographs herself. (She is also an exceptionally talented dance teacher)

Till next time!

-Oliver Endahl

Kate Huntington in LA

Kate Huntington and I got together for a quick shoot at the Walt Disney Concert Hall in Los Angeles, California.

It had rained the night before our shoot so the air was extra clear, which created beautiful light for our early morning shoot.

You can follow Kate on IG here @K8Huntington

-Oliver Endahl