Peyton Szuberla Summer 2023

Peyton Szuberla

At the Noguchi Gardens and in studio

Peyton Szuberla and I shot at a public sculpture display called “Noguchi Gardens” located in California.

The garden sits between some business buildings and a parking garage. It’s less of a traditional garden and more like walking through an outdoor museum filled with huge pieces of art. It’s kept insanely clean and is often used for various photoshoots. (I had never shot there, but the location had been on my radar for years) While we were there, there was two wedding parties and some locals snapping photos and enjoying the sights.

There’s several very large pieces of art that each individually stand on their own, and together they all combine to form one grand piece which is the garden itself.

It wasn’t until after our shoot that I researched to find out more about the location. It turns out it was designed by renowned artist Isamu Noguchi.

Here is the Wikipedia headline info about Isamu Noguchi;

“Noguchi Isamu (November 17, 1904 – December 30, 1988) was an American artist and landscape architect whose artistic career spanned six decades, from the 1920s onward. Known for his sculpture and public artworks, Noguchi also designed stage sets for various Martha Graham productions, and several mass-produced lamps and furniture pieces, some of which are still manufactured and sold.”

( https://en.wikipedia.org/wiki/Isamu_Noguchi )

How wild that he designed sets for Martha Graham? You can see in his work that it absolutely lends itself to dance with all the curves and aesthetically pleasing shapes.

Here is more information on the garden’s from the official website;

“Commissioned by the Segerstrom family in 1979 and completed in 1982, Isamu Noguchi’s California Scenario is recognized as one of the country’s preeminent sculpture gardens and the most vital publicly accessible outdoor sculpture oasis in Southern California. One of the artist’s most important public sculpture gardens, its design symbolizes various geographical characteristics of California, incorporating indigenous plants and materials.”

( https://www.southcoastplaza.com/stories/2016/12/noguchi-garden/ )

Everything looks so beautiful and intentional at this place that at one point I thought an outdoor garbage can was an art piece. (Which I thought was especially funny since in the movie “Wonder Woman 1984” they make this exact joke as they stroll thru an outdoor sculpture garden.)


After we finished at Noguchi, we headed to a photo studio that we had reserved for 2 hours. The studio had skylights above a cyc-wall, so we used all natural light for the set up.

Peyton’s Mother, Jessica, was the stylist for the shoot. I told Jessica for colors and outfit inspiration that we wanted anything neutral for the gardens, and for the studio we wanted anything “Barbie” centric. (That movie has amazing fashion and both Jessica and myself were inspired by it)

Jessica knocked it out of the park on both themes.

Love these gloves and the lines they created with Peyton’s port de bras

This converse look was especially fun to shoot. Peyton’s movements maximized the flow of the blue top and really brought an electric energy to the look.

Towards the end of our time we started losing light, (we shot at the studio from 6-8 PM) So Peyton wore this unique white fluffy top that we paired with a maroon leotard. The white top picked up the remaining soft light and Peyton’s body was nearly silhouetted.

This was a phenomenal shoot. I was feeling extremely inspired by the Noguchi Gardens, Peyton’s movements and Jessica’s passion/great taste for styling.

Keep an eye on the Zine fore more shoots with Peyton and Jessica Szuberla.

-Oliver Endahl

The Zine Format

Social Media isn’t what it used to be.

Today, the number 1 way we all use Instagram is to DM our friends comedy videos and Memes. (Which is why comedy absolutely crushes on social right now) It’s the thing people want to see when they use the app.

The context in which we intake media matters. For example, the state of mind we have when we visit a museum is an entirely different state of mind compared to when we enjoy food and drinks with friends at a restaurant. The same is true with social media. It’s become a place for sensationalized videos that are designed to induce a quick reaction to garner views that generate intense feelings that are forgotten as quickly as they were forged. Social media isn’t conducive to intaking and deconstructing your feelings on art. It’s just not the place for it. (Like filling up your car with gas and at the same time trying to analyze and deconstruct the meaning of the Mona Lisa. It’s not the time or place)

Because of this though, we’re trying a new format. Specific posts on this, the Ballet Zaida Zine (Zine pronounced like “MagaZINE”)

The Wikipedia definition of a Zine is; “A zine is a small-circulation self-published work of original or appropriated texts and images, usually reproduced via a copy machine.

( https://en.wikipedia.org/wiki/Zine )

Obviously, our Zine isn’t physical. (Although it could be fun to do a physical issue sometime) But the ethos is the same.

Social Media is designed to be addictive. We scroll until we feel a rush of endorphins, and then we keep scrolling. All the while, even when we aren’t using social media, we hand over every aspect of our digital lives to tech companies that then sell it to advertisers who want to distract your mind and drain your bank account to sell you things to capture that same endorphin rush you were looking for in the first place.

Instead of looking for endorphins by scrolling endlessly through a feed filled with fast moving people, topics and feelings, this is a place you can enjoy without giving up your life to social media companies and advertisers.

This is a place where my art will be shared and you can experience it without the stress of people fighting for your attention through sensationalism.

This is a place to enjoy photography and the thoughts of myself and the artists featured in the work.

This is a place to intake and deconstruct art.

Welcome to the Zine.

-Oliver Endahl